F-10 Curriculum (V8)
F-10 Curriculum (V9)
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This is a watercolour measuring 16.6 cm x 25.7 cm showing a mounted man, possibly the squatter Harry Thomson. Two dogs run behind him as he rides along a meandering trail left by wagon wheels. Forests stretch away behind and native gums dot the Challicum Hills which rise out of the forest treetops. The artist, Duncan Cooper, ...
This is a watercolour measuring 17.2 cm x 26.2 cm showing the twin peaks of Mount Langi Ghiran rising behind the smaller tip of Conical Hill. Two distant mountains on the right are Ben Nevis and Mount Buangor. A camp of Indigenous Djapwurrong people, consisting of two bark and wood dwellings, is situated on the edge of ...
This is a watercolour measuring 15.7 cm x 24.4 cm, showing a mounted man herding a small group of cows past scattered native bush and trees, beneath the backdrop of the Mount Cole ranges. The artist, Duncan Cooper, included this painting as the fifteenth watercolour in his field sketchbook and inscribed the title 'Panorama ...
This is a watercolour measuring 15.8 cm x 24 cm showing the vast, yellowing Challicum plains with grassfires burning smokily in the distance. A flock of sheep is being watched by a shepherd and dog. The artist, Duncan Cooper, included this painting as the sixteenth watercolour in his field sketchbook and inscribed the title ...
This is a watercolour measuring 15.7 cm x 24.3 cm showing the vast yellow-and-green Challicum plains. In the distance a flock of sheep, watched by a shepherd and dog, is moving into temporary wooden yards. Among gum trees, to the right of the yard, is the homestead. The artist, Duncan Cooper, included this painting as the ...
This is a black-and-white photograph, measuring 18.8 cm x 24.0 cm, taken in 1902 during a tour of inspection by senators from the Federal Parliament of possible sites for the proposed federal capital. Having alighted from a horse-drawn stage coach, five members of the party en route to Tumut, New South Wales, are standing ...
This is a black-and-white photograph made from a glass negative measuring 8.2 cm x 10.7 cm. It shows a stationary caterpillar tractor with two trailers attached behind, both of which have tarpaulin-covered loads. On the packet, the negative is described as: ''Holt' tractor hauling 2 trailers. Was used to transport wool ...
This is a sepia-toned photograph measuring 10.3 cm x 5.0 cm, taken in outback Australia in the early 20th century, probably by John Flynn (1880-1951). The photograph shows three men, one of whom is an Afghan cameleer, loading a camel with two wool bales. A camel already loaded stands in the foreground with other camels ...
This is a black-and-white photograph measuring 15.5 cm x 10.9 cm, of a street demonstration against conscription, taken during the First World War. It shows a long line of marchers, including two men carrying a banner inscribed 'IF BLOOD BE THE PRICE OF YOUR CURSED WEALTH, GOOD GOD WE HAVE BOUGHT IT FAIR'. The line of marchers ...
This is a black-and-white photograph measuring 16 cm x 21 cm, taken by Reg Alder in January 1995, of logging trucks involved in a blockade of Parliament House in Canberra. The trucks are large articulated units and one has a banner attached referring to the timber industry. The protest was a reaction against the Australian ...
This is a hand-coloured lithographic print prepared by John Allen in 1852 from a drawing by George French Angas. The lithograph, with text, measures 26 cm x 35.5 cm and shows Forest Creek at the Mount Alexander gold diggings in central Victoria.
This is a photograph made from a glass plate negative measuring 12.0 cm x 16.5 cm dating from between 1900 and 1922. It shows a whale hunt taking place in Twofold Bay on the south-eastern coast of New South Wales. There is a five-oared whaling boat visible, with the captain, George Davidson, standing aft (at the rear), ...
This is a watercolour, measuring 44 cm x 64 cm, by the famous colonial artist Samuel Thomas Gill (1818-80). It shows two drovers camped next to a fallen tree, with their horses tethered and at rest behind them. One of the drovers and a dog remain vigilant, looking towards cattle that are spread out on a wide plain below, ...
This is the first of a pair of oval watercolours, measuring 20.2 cm x 26.4 cm, painted by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows two gold miners sitting dejectedly beside their mine, probably on the Victorian gold fields. Behind the men is a windlass, as well as their wheelbarrow, pick and spade. ...
This is a black-and-white pen-and-wash drawing of the rear of a mail coach outside the New South Wales Treasury in Sydney in 1851. Two uniformed police with rifles sit at the back of the coach while others unload boxes of gold to take into the Treasury. Two mounted police flank the coach as men, women and children in mid-Victorian ...
This is a black-and-white wood engraving of a drawing dating from about 1870 by Samuel Calvert (1828-1913). Probably set near Adelaide, South Australia, it depicts a group of men and women in mid-Victorian dress, circled around a rough-hewn telegraph pole, in a bush setting. The pole is being levered, using ropes, into ...
This is an Aboriginal forehead ornament from the Northern Territory, believed to have been made in the early 1900s. It comprises more than 30 kangaroo teeth, each embedded in beeswax and then attached to a string. Lengths of string extend out at both ends of the ornament. The ornament is 45 cm long and 9.5 cm wide.
This is a photograph, possibly taken by John Flynn (1880-1951) and measuring 8.2 cm x 8.2 cm, of an elderly woman seated at a pedal wireless transmitter with three girls behind her. There is no microphone but the woman is operating a morse key. The woman and one of the girls are wearing earphones. The words 'AIM Pedal Transmitter' ...
This is a photograph, an albumen print measuring 13.6 cm x 20.1 cm, taken in the 1890s and showing three camels sitting outside commercial premises in Bayley Street, Coolgardie, Western Australia. The camels are not tethered or harnessed in any way. With the exception of a woman who appears to be patting a camel, all the ...
This is an 1853 hand-coloured lithographic print, entitled 'Cradling. Forrest Creek'. It was made by Samuel Thomas Gill (1818-80) from a sketch done on the spot as he watched gold miners cradle for gold at Forest Creek (as it was more commonly spelled), in Victoria. One miner scoops water into the cradle, while the other ...