F-10 Curriculum (V8)
F-10 Curriculum (V9)
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Screenwriting is the act of writing what's known as a script or screenplay for film, television and web series. It involves a special set of rules that makes it different from a book or play. This module of Film It covers formatting, scene writing, script structure, themes, and character. Writing the script is part of ...
In this lesson, students are asked to present a poem as a visual illusion. They explore holograms and visual illusions, and then delve into the mechanics of poetry construction by exploring the poetry of Banjo Paterson. They write their own poem or recite a poem and create a hologram illusion of themselves reciting a poem. ...
Gender and its representation is a significant concern for many writers, readers and critics. Some dismissed Daphne du Maurier's 1938 novel 'Rebecca' as a romantic novel, but du Maurier insisted that she was exploring deeper issues of jealousy and power in relationships. Explore these different readings in this discussion. ...
Why is it important to think about who your readers will be when you write a story? In this clip author Alice Pung explains some of the things she had to consider when writing her 'Marley' books for young readers. What does Alice say about the way she used language? And how did she convey the historical themes in her stories? ...
Why do we study Shakespeare in school? How can plays written four centuries ago still be relevant today? Especially when it is hard to understand what Shakespeare was even saying. But actors still have fun playing Shakespeare. Find out why.
Imagine having your poetry carved in stone. What would you write? British artist Pip Hall carved six poems by Simon Armitage in rocks found in 'quiet, poetic corners of the landscape' between the towns of Marsden and Ilkley in northern England. Listen as Mr Armitage describes this unique project, known as Stanza Stones.
Leaving the only home you've ever known can be tough. For Janet Brown, it led to a serious case of depression. Although she was able to work through this, for a time Janet felt that she had lost everything, including herself. In her Heywire story Janet constructs a powerful image of her condition.<br /><br />To talk with ...
Do you know any words from another language? Chances are, you know more than you think you do! English is a polyglot language; one that borrows words from other languages. In this Professor Kate Burridge discusses the origins of the phrases 'short-shrift' and 'lily-livered'.
Different writers approach writing in different ways. Some just dive in with nothing but an idea, while others like Morris Gleitzman like to spend some time planning their story before writing. What's your writing style like? Discuss the pros and cons of both styles.
Sometimes you have to choose your words carefully to avoid offending others. I'm sure we've all had one of those moments! In this clip, explore how Marieke Hardy and Max Barry choose their words carefully when discussing one of Jennifer Byrne's favourite books. This clip is the first in a series of two.
Have you ever started out with an idea for a story and later realised you wanted to change it? You're not the only one! In fact, changing your mind is all part of the process of writing. Listen as author Tony Wilson explains how the idea for his book 'The Cow Tripped over the Moon' changed over time. What was his initial ...
The stories we tell reveal a lot about our culture and what we value. Explore the story of the Be man, which comes from Dalabon country in the Northern Territory. This animated story is about two brothers who investigate a mysterious visitor to their home.
How do you write about a place that is disobedient?' Four of Britain's prominent writers consider the emotions that wild places evoke. In this clip, Robert Macfarlane, Simon Armitage, Sara Maitland and Owen Sheers consider the qualities of wildness: silence; escape; beauty; threat; and a sense of being both lost and found.
How do authors develop their characters? In 'The Great Gatsby', F Scott Fitzgerald creates characters through others' impressions of them rather than by creating an inner, or 'interior', world of thoughts for them. We never really get to know Gatsby except by how others see him. Find out what the First Tuesday Book Club ...
Great characters help us fall in love with stories. Characters need to keep readers excited, but they also need to think and feel in ways we can all understand, and they need to remind us of people in our own lives. Follow these fantastic tips to create interesting, relatable characters!
Do you think we live in a violent world? Do you agree with David Malouf when he says that violence is everywhere? Should stories reflect what is happening in the world? How do you feel about violence as a theme in literature?
It was while Hannie Rayson was at acting school that she realised she wanted to be a playwright. In this interview led by Tom Tilley she talks about how she began writing plays, why she became interested in the notion of Anglo Australian art and culture, and how all her characters are in some way an embodiment of herself.
When authors write stories involving historical events, they often spend time doing research. Why do you think they might do this? What are some of the primary source documents Gary Crew used to inform his book, Strange Objects?
Australian poet Robert Adamson speaks to Tom Tilley about his extraordinary life, including his experience of being sent to a boys' home as a teenager, of his life-changing discovery of Bob Dylan, and of the spiritual connection he feels with the Hawkesbury River. The Golden Bird is a collection of his poems written throughout ...
Do you enjoy reading spooky stories? Listen to Rebecca Lim as she describes how her half-memories, reading experiences and imagination come together to inspire her.