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Concert room at Ballarat, 1855

This is a watercolour, measuring 22.8 cm x 31.9 cm, by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows Charles Thatcher (1831-78), a comic singer well known on the gold fields, performing popular songs on stage at the Charlie Napier Hotel in Ballarat with a female accompanist. The painting has the artist's ...

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'Gold digging in Australia 1852: bad results'

This is the first of a pair of oval watercolours, measuring 20.2 cm x 26.4 cm, painted by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows two gold miners sitting dejectedly beside their mine, probably on the Victorian gold fields. Behind the men is a windlass, as well as their wheelbarrow, pick and spade. ...

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'The claim disputed', c1852

This is a watercolour, measuring 19.4 cm x 25.4 cm, by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows a well-dressed man - presumably the Gold Commissioner - arbitrating a dispute over a claim involving three diggers, probably on the Victorian gold fields. Two of the diggers are in animated discussion ...

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Using a pedal wireless transmitter

This is a photograph, possibly taken by John Flynn (1880-1951) and measuring 8.2 cm x 8.2 cm, of an elderly woman seated at a pedal wireless transmitter with three girls behind her. There is no microphone but the woman is operating a morse key. The woman and one of the girls are wearing earphones. The words 'AIM Pedal Transmitter' ...

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I am an inventor lesson

In this lesson, students explore the life, work and times of Rube Goldberg. The lesson uses Rube Goldberg’s work to teach students about simple machines, how they function and their design principles. Working in groups, the students then design and create a Rube Goldberg machine that can complete a simple task. Students ...

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Daniel Walbidi, 'Kirriwirri', 2010

This is a painting by Mangala/Yulparija artist Daniel Walbidi (b1983) depicting his grandfather and grandmother’s country on his father’s side. The painting is shown as an enlargeable image. This work was exhibited as a part of the second National Indigenous Art Triennial, ‘unDisclosed’, at the National Gallery of Australia ...

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Alexander Schramm: 'Adelaide, a tribe of natives on the banks of the river Torrens' 1850

This is a painting made in 1850 by Australian colonial artist Alexander Schramm depicting Kaurna people, sheltering under gum trees in Adelaide parkland. The painting is shown as an enlargeable image and in a video. Text onscreen gives information on Schramm’s life and practice as he is known for his sympathetic representation ...

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Nici Cumpston, 'Campsite V, Nookamka Lake', 2008

This is a photographic print by Barkindji/Paakintji artist Nici Cumpston (b1963) depicting Nookamka, a freshwater lake situated in the Riverland region of South Australia. The work is shown as an enlargeable image. Text onscreen gives information about the Murray-Darling River system’s degradation, and a description of ...

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Julie Gough, 'Some Tasmanian Aboriginal children living with non-Aboriginal people before 1840', 2008

This is a sculpture by Trawlwoolway artist Julie Gough representing the experiences of Tasmanian Aboriginal children living with non-Aboriginal people. It was exhibited in the second National Indigenous Art Triennial,' unDisclosed', at the National Gallery of Australia (NGA). Further information about the artists and the ...

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'Miyuki: the imperial outing and hunt', 1600-10

This is a pair of six-fold screens, painted during the Momoyama period (1573-1615) in Japan, depicting chapter 29 of the epic Japanese novel ‘Tale of Genji’. The screens are shown as an enlargeable image. Text onscreen gives detailed information on the history of the novel, the period it was written and an extensive visual ...

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'Garak the Universe - larrakitj', 2005

This is a larrakitj (hollow funeral pole) sculpture created and painted by Yolngu artist Gulumbu Yunupingu. It depicts the universe ('Garak'); not only all the stars that can be seen with the naked eye but everything that exists beyond. The larrakitj is shown here in a colour image that can be enlarged and is accompanied ...

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Jessie Street, 1889-1970

This is a collection of primary and secondary sources about Jessie Street, a prominent 20th-century human rights campaigner known as ‘Red Jessie’. The collection is introduced by the black-and-white passport photograph seen here that links to a richly documented biography on a showcase called 'Uncommon lives'. The showcase ...

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'Am I not a man and a brother?', 1837

This is a black-and-white illustration of a kneeling male slave in chains. It appeared on a broadside (a poster, often with a poem or news and sometimes with woodcut illustrations) published in New York. The broadside also featured John Greenleaf Whittier's anti-slavery poem, 'Our countrymen in chains' and two quotations, ...

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Police arresting an African American during the Sojourner Truth housing riot, 1942

This is a black-and-white photograph showing an African American being arrested by two policemen in Detroit, Michigan. One mounted policeman looks on and another stands guard. The photograph was taken in February 1942, almost certainly on 28 February, by Arthur Siegel. Part of the photograph's caption reads: 'Riot at the ...

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Thornhill plantation house, 2010

This is the two-storey Thornhill plantation house in Greene County, Alabama, showing the southern facade with its two-story portico of six Ionic columns across the front, and the eastern-side elevation. The photograph was taken by Carol Highsmith.

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Proclamation of emancipation, c1864

This is a black-and-white print celebrating the Proclamation of Emancipation by US President Abraham Lincoln in 1863. The text includes the all-important words 'all persons held as slaves within any States, or designated part of the State, the people whereof shall be in rebellion against the United States, shall be then, ...

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'Slavery as it exists in America. Slavery as it exists in England', 1850

This is a black-and-white print showing two contrasting scenes of 'slavery' produced by J Haven of Boston, USA. The top scene shows African American slaves in the US southern states dancing and playing the banjo after their day's work is over. The bottom scene shows four episodes of people lamenting the 'slavery' of work ...

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'The parting - "Buy us too"', 1863

This is a colour lithographic card showing a shackled slave being taken away by his new owner as his wife and child beg to be bought as well so the family would not be separated. The owner gestures them away with his whip. The card was the fourth in a collectable series of 12 album cards entitled 'The slave in 1863. A thrilling ...

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Sketch of a slave cabin in Virginia, 1864

This is a black-and-white sketch showing a slave cabin with a small girl standing in front. The handwritten caption reads 'Slave Cabin near the Long Bridge, Chicahominy River, Va [Virginia], June 13th 1864'. The artist was Edwin Forbes and elsewhere on the drawing he noted, 'Sketched while on the march from Long Bridge ...

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'Effects of the Fugitive-Slave-Law', 1850

This is a black-and-white print showing four African Americans attacked in an ambush by six armed white men. One of the white men is firing as two others reload their guns, and two of the African Americans have been hit. The print is a denunciation of the Fugitive Slave Act of 1850, its effect reinforced by two quotations ...