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Listed under:  Language  >  Text types  >  Persuasive texts  >  Literary criticism
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The language of criticism

Language is a powerful tool and the way it is used can sometimes disempower or devalue people and their ideas. Listen to young art critic and aspiring painter Robert Hughes as he discusses the Beat Generation. Explore how questions can be used to influence listeners and how language can reveal the attitudes and values of ...

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Jennifer Byrne Presents: Just big kids? Why adults are reading YA fiction

The Young Adult, or YA, publishing market might be huge, but not all readers of YA books are teenagers. Perhaps surprisingly, increasing numbers of adults are choosing to read books written for the YA market. Join in this panel discussion as four YA authors discuss the reasons why their books are being picked up by adult readers.

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What's With Poetry?, Ch 5: Visual language

When someone is telling you a story, do you visualise that story? You're not alone! A good storyteller or a poet knows exactly how to use certain words so the listener will visualise the story or poem in the way the storyteller or poet intends. A few well chosen and crafted words can allow readers to visualise a whole world. ...

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What is Shakespeare Unbound?

Shakespeare doesn’t get any better than this. Actors from Australia’s famous Bell Shakespeare Company, including Artistic Director John Bell, present key scenes from six of Shakespeare’s best-known works before joining conversations to dissect the playwright’s use of character, plot and language. Custom-made for Australian ...

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Jennifer Byrne Presents: Should some YA novels be banned?

Ever since Mark Twain's 'Adventures of Huckleberry Finn' was published in 1884, books for teenagers have come under close scrutiny by adults concerned about their appropriateness for younger audiences. Why are some adults so worried about what teenagers read? Are they right to be concerned? Explore the tricky topic of censorship ...

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Jane Austen: Expectations and aspirations of women

How liberated were the women in Jane Austen's novels? Were they encouraged to confront the social norms and gender roles of their times? Listen as Oxford University's Professor Kathryn Sutherland shares her thoughts on the aspirations and expectations of middle and upper class women in Ms Austen's works. This clip from ...

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Jane Austen: The novel and social realism

Why did Jane Austen spend so much time detailing the lives of everyday people in her classic novels? Listen as Professor Kathryn Sutherland from the University of Oxford provides valuable insights into the intentions and techniques of one of Britain's best-known authors. This clip from the British Library is one in a series ...

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Wuthering Heights: Landscape

The moorland near the West Yorkshire town of Haworth in northern England shapes the characters, settings and events in Emily Bronte's novel, Wuthering Heights. Professor John Bowen reflects on the significance of the moor and the importance of setting to Emily Bronte and her sisters, Charlotte and Anne. This clip is one ...

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Interviews With 10 Australian Authors, Ch 4: Poetry with Robert Adamson

Australian poet Robert Adamson speaks to Tom Tilley about his extraordinary life, including his experience of being sent to a boys' home as a teenager, of his life-changing discovery of Bob Dylan, and of the spiritual connection he feels with the Hawkesbury River. The Golden Bird is a collection of his poems written throughout ...

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Modernism and Woolf's 'Mrs Dalloway'

Mrs Dalloway' by Virginia Woolf is a modernist novel. What makes it so? Think of how it contrasts with Edwardian and even 19th century novels. How does consciousness, or internal reality, as well as multiple perspectives play a part in modernist literature like 'Mrs Dalloway'?

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Jane Austen: The secret meaning of the dance

Why did Jane Austen write about dancing in her novels? What could attendance at a ball or local dance tell us about the characters and their relationships? Professor Kathryn Sutherland explains the significance of dances in the late-18th and early-19th centuries and suggests why Ms Austen chose to describe them in great ...

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Radio National: Lies, deceit and bad driving in 'The Great Gatsby'

Questions of morality are frequently probed by writers. F Scott Fitzgerald explores the human propensity for deceit in one of the most intriguing characters in 'The great Gatsby', Jordan Baker. This clip from 'Books and arts daily' on Radio National is one in a series of eight.

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First Tuesday Book Club: Moby Dick

What was Herman Melville aiming for when he wrote his masterpiece? Listen to Jennifer Byrne, David Malouf, Marieke Hardy, Jason Steger and Johanna Featherstone discuss their reactions to 'Moby Dick'. Is the novel just a detailed treatise (commentary) on whales and whaling, or is it an allegory (fable) teaching us about ...

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First Tuesday Book Club: Careful critiques of 'Cloud Atlas'

Sometimes you have to choose your words carefully to avoid offending others. I'm sure we've all had one of those moments! In this clip, explore how Marieke Hardy and Max Barry choose their words carefully when discussing one of Jennifer Byrne's favourite books. This clip is the first in a series of two.

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The Tempest: Two sides of Caliban

Caliban is one of Shakespeare's most fascinating characters. Half human and the son of a witch, Caliban attacks Prospero's daughter Miranda. However, he is not without a sympathetic side. In this scene from Act 1.2 of 'The Tempest', with Miranda Tapsell, John Bell and Damien Strouthos of Bell Shakespeare, Caliban's impassioned ...

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Julius Caesar: Conspiracy and crime

In this early scene from Shakespeare's historical tragedy, Brutus and Cassius discuss Julius Caesar's right to rule. It acts as a prelude to the infamous conspiracy to assassinate Caesar. This performance by Hazem Shammas and Kate Mulvany of Bell Shakespeare reveals the persuasive power of language in Cassius' clever tongue ...

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Julius Caesar: The adder and the ladder

Shakespeare's tragedies provide his audiences with moral dilemmas. Julius Caesar is no exception. In this soliloquy, Brutus ponders whether assassinating Julius Caesar would be in the best interests of Rome. Shakespeare's use of metaphor provides the key to understanding Brutus' motivation, convincingly brought to life ...

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Othello: The birth of the green-eyed monster

You'd never want to get into an argument with Shakespeare, who certainly knows how to use words to convince! A key moment in Othello is in Act 3, scene 3, where Iago plants the seeds of doubt in Othello's mind about his wife's faithfulness. It is a study in masterful manipulation, as illustrated by Hazem Shammas and Damien ...

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Hamlet: Mischievous or mad?

The question of whether Hamlet is mad or just pretending to be has plagued critics and theatre-goers alike. In this excerpt from 'Hamlet', the audience is confronted with this very question. Watch Eryn-Jean Norvill and Tom Conroy from Bell Shakespeare as they present the encounter between Hamlet and Ophelia from Act 3, scene 1.

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Romeo and Juliet: True love's passion

One of the most famous love scenes of all time is when Romeo and Juliet pledge their love for each other. Shakespeare's imagery evocatively captures the passion of two young lovers torn apart by their feuding families. Explore this pivotal scene as it is brought to life by Miranda Tapsell and Damien Strouthos of Bell Shakespeare.