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Your search returned 34 results

Listed under:  Society  >  Culture  >  Regional culture  >  Aboriginal and Torres Strait Islander peoples  >  Aboriginal peoples
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Indigenous science: Australia had ancient trade routes too

  • TLF-IDM013031

This is an article about the ancient overland trade routes of Aboriginal Australia. Written by Kudjala/Kalkadoon Elder from Queensland Letitia Murgha and intended mainly for teachers, it compares Aboriginal trading routes based on Dreaming pathways and songlines throughout Australia to the Silk Road and the spice trade ...

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Two Indigenous Australians hunting emus, c1817

  • TLF-IDR4025

This is a 17.7 cm x 27.8 cm watercolour of two Indigenous Australian men hunting emus, with one man about to throw a spear using a woomera, or spear thrower. The birds are grazing on a grassy plain in the middle distance to the right of the picture, and the men are screened from them by large rocks and scrub. In the distance ...

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Indigenous Australians feasting on a beached whale, c1817

  • TLF-IDR4028

This is a watercolour, measuring 17.7 cm x 27.9 cm, created by Joseph Lycett in about 1817. It depicts Indigenous Australian people on the New South Wales coast near the mouth of the Hunter River at Nobby's Head. There is a sailing ship on the horizon and nine people are on the beach, some looking on while two kneel beside ...

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Indigenous Australians fishing by torchlight, c1817

  • TLF-IDR4031

This is a watercolour, measuring 17.7 cm x 27.9 cm, created by Joseph Lycett in about 1817. It depicts Indigenous Australians spear fishing from three bark canoes at night. In each canoe are a man with a spear and a person holding a firebrand. On the river bank, 15 adults and a child are gathered around two fires, roasting ...

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Indigenous Australian man with white body paint, c1790

  • TLF-IDR4034

This is a portrait of an Indigenous Australian man from the Port Jackson (Sydney) area of New South Wales, created in about 1790 by an unknown artist. He is depicted from the waist up, with white paint on his face, arms and chest. The text 'When angry and (as I suppose) intends to fight at a future period' is written below ...

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Indigenous Australian man, Y-erran-gou-la-ga (Mousquita), 1802

  • TLF-IDR4037

This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit somewhere near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Y-erran-gou-la-ga. There is painting on his chest and face and he is wearing a piece of reed or bone through a hole in the cartilage ...

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Indigenous Australian man, Ourou-mare ('Bulldog'), 1802

  • TLF-IDR4043

This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit somewhere near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Ourou-mare, said to be of the Gwea-gal tribe, and known to the British settlers as 'Bulldog'. He has short, curly hair and a ...

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'Hut door', 1850s

  • TLF-IDR4382

This is a circular pencil drawing on coloured scraper board, measuring 22.7 cm in diameter. It was drawn in the 1850s by Samuel Thomas Gill (1818-80). It depicts a European family of mother, father and small daughter interacting with an elderly Indigenous Australian man and two Indigenous children in front of the door of ...

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'John Batman's famous treaty with the blacks', c1914

  • TLF-IDR4385

This is a black-and-white engraving, measuring 40.4 cm x 57 cm, made by George Rossi Ashton (1851-1942) in about 1914. It depicts John Batman (1801-39) and an elderly Indigenous Australian man leaning over what is probably a treaty document on the decayed trunk of a large fallen tree. They are surrounded by 16 men, many ...

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Indigenous Australians hunting in trees, c1817

  • TLF-IDR4027

This is a watercolour, measuring 27.8 cm x 17.6 cm, created by Joseph Lycett in about 1817. It features an Indigenous Australian man about 5 metres up the trunk of a eucalypt tree, with his feet and one hand in notches on the trunk. He is holding a small axe in the other hand, ready to cut another notch. Below, a man holding ...

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Portrait of an Indigenous Australian man, c1790

  • TLF-IDR4033

This is a portrait of an Indigenous Australian man from the Port Jackson (Sydney) area of New South Wales, created in about 1790 by an unknown artist. The man is shown from the waist up, standing with his back to the viewer and his head turned to the right-hand side. The man's facial features are exaggerated and his back ...

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Indigenous Australian man, Gnoung-a Gnoung-a ('Collins'), 1802

  • TLF-IDR4040

This is a colour print of a portrait drawn by the French artist Nicolas-Martin Petit somewhere near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a young Indigenous Australian man known as Gnoung-a Gnoung-a, and also as 'Collins'. He has short, curly hair and a light beard. His red headband is possibly ...

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Distribution of blankets to Indigenous people in Brisbane, 1863

  • TLF-IDR9203

This pen-and-wash sketch, dated 24 May 1863, shows the distribution of blankets to Indigenous men and women in Brisbane, Queensland. A group of Indigenous people, mostly men, are waiting in line or sitting off to the side as police distribute blankets in front of the Police Magistrate's Court. There appear to be two mounted ...

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'Panorama of Challicum, No. VI', c1850

  • TLF-IDR3260

This is a watercolour measuring 17.2 cm x 26.2 cm showing the twin peaks of Mount Langi Ghiran rising behind the smaller tip of Conical Hill. Two distant mountains on the right are Ben Nevis and Mount Buangor. A camp of Indigenous Djapwurrong people, consisting of two bark and wood dwellings, is situated on the edge of ...

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'Poultry house, Challicum', 1851

  • TLF-IDR3304

This is a watercolour by Duncan Cooper that depicts the poultry house at Challicum, a sheep run west of Ballarat in western Victoria. Two of the Djapwurrong people (the Indigenous inhabitants of this region) are shown sitting by a smoking fire next to a temporary bark shelter. Various chickens are also shown pecking in ...

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Indigenous Australians at the Hunter River, c1817

  • TLF-IDR4017

This is a 17.7 cm x 27.8 cm watercolour of 12 people from the Awabakal language group with their dogs beside the Hunter River in New South Wales. It is a cloudy night but the moon has broken through and is reflected on the water. The people are gathered around campfires, possibly in two separate family groups, each with ...

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Indigenous Australians gathering seafood, c1817

  • TLF-IDR4026

This is a 17.7 cm x 28 cm watercolour of Indigenous Australian people and their canoes on the New South Wales north coast. In the foreground three people are spearing fish, while one sits on the rocks watching an underwater swimmer and a person diving off the rocks. Another person walks from the water carrying two crayfish, ...

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Indigenous Australians using fire to hunt kangaroos, c1817

  • TLF-IDR4029

This is a watercolour, measuring 17.5 cm x 27.8 cm, created by Joseph Lycett in about 1817. It depicts Indigenous Australians using fire to flush out kangaroos in order to hunt them. One man is ready to throw a spear using a woomera (spear thrower) and another has his arm raised to throw a boomerang. In the background, ...

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Indigenous Australian climbing a tree, c1817

  • TLF-IDR4032

This is a watercolour, measuring 27.8 cm x 17.7 cm, created by Joseph Lycett in about 1817. It features an Indigenous Australian man about 2 m up the trunk of a eucalypt tree, with his feet and one hand in notches on the trunk. He is holding a small axe in the other hand, ready to cut another notch, apparently being directed ...

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Bennelong in European clothing, 1798

  • TLF-IDR4035

This is an engraving made by James Neagle in England in 1798. It features an oval portrait of Bennelong wearing a ruffled shirt, waistcoat and frockcoat. A number of Indigenous Australian weapons are depicted in a formal arrangement behind the portrait; these include two shields, a woomera (spear thrower), a hafted axe ...

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