F-10 Curriculum (V8)
F-10 Curriculum (V9)
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This is a rich, interactive resource that lists Victoria’s most significant heritage: places, objects, shipwrecks and archaeological sites. It has four main sections: Introduction; Explore heritage map; Recommended tours; and Timeline browser. The Explore heritage map searches for sites and provides information and images ...
This resource features the Landmarks gallery, which traces a broad history of Australia since British colonisation in the late 18th century. The exhibition explores ten big themes in the country's past through the stories of Australian places and the people who have lived there. It examines how people have engaged with ...
This is a black-and-white photograph, measuring 18.4 cm x 24.0 cm, taken in 1902 during a tour of inspection by senators from the Federal Parliament of possible sites for the proposed federal capital. Senators and local dignitaries are posing in groups on a hillside, ostensibly discussing the merits of a site at Tumut in ...
This is a black-and-white photograph of the 'Southern Cross' biplane arriving in Sydney and being greeted by reporters and photographers and a large contingent of police after the record-breaking flight of Charles Kingsford Smith and his crew across the Pacific. Signed portraits of the crew are superimposed upon the photograph, ...
This is a black-and-white lithograph measuring 12.5 cm x 20 cm, depicting the city terminus of the Melbourne and Hobson's Bay Railway Company in Melbourne in 1854. An early type of steam locomotive is shown approaching a platform where passengers and freight are waiting. The drawing was made by Samuel Thomas Gill and his ...
This is a black-and-white photograph, measuring 18.8 cm x 24.0 cm, taken in 1902 during a tour of inspection by senators from the Federal Parliament of possible sites for the proposed federal capital. Having alighted from a horse-drawn stage coach, five members of the party en route to Tumut, New South Wales, are standing ...
This is the front page of a program printed in rust-red-and-black letters on a beige background, with the words 'OFFICIAL PROGRAMME COMMEMORATING THE VISIT OF THE AUSTRALIAN CRICKETERS TO AMERICA 1913'. The text is set within decoration in the Art Nouveau style.
This is a sepia-toned photograph measuring 8.2 cm x 13.2 cm. It shows the ruins of the Model Prison at Port Arthur, Tasmania. A semicircular brick wall has three barred doors that open to exercise yards. A fourth door is open, showing another brick wall with steps leading up to the closed door of a solitary confinement ...
This is a watercolour measuring 16 cm x 24.5 cm showing the Victorian squatting runs Challicum and Yalla-y-poora from a south-south-westerly viewpoint. In the midground is the yellow grassland of the Fiery Creek plains, gum trees dot the countryside and the distant bluish mountain is Mount Weejort. Two emus are shown in ...
This is a watercolour measuring 17.2 cm x 26.2 cm showing the twin peaks of Mount Langi Ghiran rising behind the smaller tip of Conical Hill. Two distant mountains on the right are Ben Nevis and Mount Buangor. A camp of Indigenous Djapwurrong people, consisting of two bark and wood dwellings, is situated on the edge of ...
This is a sepia-toned photograph of Anzac Cove on the Gallipoli Peninsula in Turkey taken in early June 1915. Boats and barges are moored at several temporary pontoon piers. On the shore are many soldiers, a row of guns and several barrels. The photograph measures 17.1 cm x 27.7 cm.
This is a watercolour measuring 15.9 cm x 24.3 cm showing yellowed pasture backed by gum trees. A herd of cows with calves is grazing both in the foreground fields and the background timber. A small hill, part of the Challicum Hills, rises from the trees on the right. The artist, Duncan Cooper, included this painting as ...
This is a 23.4 cm x 38.8 cm sepia-toned photograph of the homemade biplane of one of Australia's first aviators, William Ewart Hart (1885-1943), after its 1911 landing on the Sydney Showground, New South Wales. A crowd has gathered around the aircraft, obscuring Hart from view.
This is the first of a pair of oval watercolours, measuring 20.2 cm x 26.4 cm, painted by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows two gold miners sitting dejectedly beside their mine, probably on the Victorian gold fields. Behind the men is a windlass, as well as their wheelbarrow, pick and spade. ...
This posed black-and-white photograph shows indentured Pacific Islanders by their grass hut homes, probably on a Mackay sugar plantation in Queensland. Some are seated on logs or rough timber benches and one woman can also be seen. They are dressed in Western-style clothes. More huts can be seen on the cleared rise in the ...
This is a 1915 black-and-white photograph measuring 10.3 cm x 7.3 cm, of John Simpson Kirkpatrick (1892-1915) and his donkey, taken at Gallipoli. The man and the donkey are standing on the sand in front of a pile of packing cases containing supplies for the troops.
This is a black-and-white photograph of the exterior of an exhibition home made of fibrolite (fibro-cement) that was constructed by James Hardie and Co Ltd (now known as James Hardie Industries). The street outside the home is crowded with people, some of whom have come to view the fibrolite home. The photograph measures ...
This is a watercolour, measuring 16.2 cm x 25.2 cm, by the famous colonial artist Samuel Thomas Gill (1818-80). It shows a Cobb and Co coach travelling to Sydney, New South Wales, along a rough dirt road bounded by timber fences and open fields, with buildings (probably farmhouses) in the background. At least two horses ...
This is a photograph, possibly taken by John Flynn (1880-1951) and measuring 8.2 cm x 8.2 cm, of an elderly woman seated at a pedal wireless transmitter with three girls behind her. There is no microphone but the woman is operating a morse key. The woman and one of the girls are wearing earphones. The words 'AIM Pedal Transmitter' ...
This is a watercolour measuring 15.7 cm x 24.3 cm showing the vast yellow-and-green Challicum plains. In the distance a flock of sheep, watched by a shepherd and dog, is moving into temporary wooden yards. Among gum trees, to the right of the yard, is the homestead. The artist, Duncan Cooper, included this painting as the ...