F-10 Curriculum (V8)
F-10 Curriculum (V9)
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When you write, is there a message you want to impart to your readers? Shamini Flint's Diary series, about a boy who is not very good at sports, has several messages for her readers. What are they?
Watch this video and learn how to write funny stories with tips from Andy Griffiths! What does he say is a good starting point? Why don't you try writing a story about a time something embarrassing happened to you? What does Andy say is the key to getting readers to enjoy your story and have a laugh?
Watch this clip to learn how Andy Griffiths turns his ideas into stories. In particular, listen to the way Andy describes how his collaboration with illustrator Terry Denton works. Now team up with a friend or family member and take on the roles of author and illustrator. What ideas can you come up with by working together? ...
How important do you think it is for writers to represent a diversity of experiences and perspectives in their books? What does Sally Rippin say about the world she represents in her stories? Who are the characters she writes and illustrates?
Some writers can write a short story in one sitting, whereas for others – like David Malouf – it can sometimes take a bit longer to figure out where a story is going. Watch as David explains that although writing is about an "enthusiastic rush", it is also about patience. Have you ever written a story that you didn't know ...
Humour is a literary device some writers use to great effect. What are some of the reasons Shamini Flint uses humour in her books? What would be the effect of removing humour from her Diary series about a boy who is bad at sports?
How do you write? Do you get an idea and jump right in and start writing, or do you plan and think about your idea before you start? Everyone has their own writing style that works for them. Watch Lili Wilkinson talk about how she writes, and the importance of editing and being flexible with your original plan.
In this video, student writers Noa and Francis discuss the creative choices they made when writing the short stories they've recently had published. Why might structuring a story as a letter be a good way to tell a story about a personal experience? Why was it important for Francis to use a first person narrative voice ...
In addition to being a writer, Alice Pung has experience as an editor. What was the advice her own editor gave her when she started editing other people's work? Alice believes that good editors ask writers good questions. How else can editors help writers? Next time a friend or classmate asks you to give them feedback on ...
Listen as Gary Crew talks about the narrative structure of his book, Strange Objects. What are the reasons he gives for incorporating so many different sorts of texts (from newspaper articles to diaries and archeological reports) into his narrative?
When you write a story, do you sometimes base characters, events or settings on your own experiences? Leigh Hobbs, author and illustrator of The Big Book of Old Tom, claims there's always a little bit of himself in everything he writes. Is this true for you too?
Listen as Sally Rippin describes how her reading feeds into her writing. Why does she sometimes stop reading when she's in the early stages of writing a new story? Do you write a few drafts of your stories before you get to your final version? What does Sally say about the first draft of a story?
Violence still permeates Australian society, from the actions of sporting figures, to police corruption, to high levels of domestic violence. For these reasons, David Williamson's The Removalists remains as relevant to Australian audiences as when it was first performed. Listen to Williamson speak to Tom Tilley about the ...
This is a video about author and farmer SD Gentill and how she combines writing with growing black truffles. It consists of an interview in which she answers questions posed by Will, a young boy. To a background of scenes from her Snowy Mountains farm and a Brisbane restaurant she supplies, Gentill explains how truffles ...
Have you ever read a book where the words tell you one thing but the pictures tell you something different? For example, characters in a scary situation might say aloud that they're not scared, but the illustration could show characters who are huddled in a corner. See if you can come up with a short story and an illustration ...
The Young Adult, or YA, publishing industry has exploded in recent years. But what is driving this surge in novels for teenagers? Join a panel of YA writers as they explore why this once niche market has become a literary phenomenon.
What are writers of Young Adult (or YA) fiction seeking to achieve? What obligations do they have to their audience, if any? In this clip, listen as four successful authors share their ideas on these things.
What does it mean to 'find closure'? Characters in Michael Gow's Away struggle with accepting unpleasant truths and letting go of the past. Coral finds closure when she finally accepts her son's death. How is this symbolised in the play?
How do you use research in a fiction novel that is based on historical events? What is the real symbolism of the ring? Why should a writer have a ‘day job'? Listen to Gary Crew answer these questions about Strange Objects in this interview.
According to Gow, his play Away became an Australian classic ‘accidentally'. In this interview, he talks about the way he overlays the context of the Vietnam War and the rise of materialism with the themes of coming of age and accepting the death of a child to create a play that is powerful and complex.