F-10 Curriculum (V8)
F-10 Curriculum (V9)
Tools and resources
Related links
Your search returned 213 results
This is an 1889 hand-coloured 25 cm x 33.5 cm wood engraving of Collins Street, Melbourne, Victoria, looking east from Elizabeth Street. The street is filled with activity - pedestrians are buying fruit and vegetables from a handcart, a boy is 'wearing' an advertising board and people are travelling by tram, wagon and on ...
This is a watercolour, measuring 16.2 cm x 25.2 cm, by the famous colonial artist Samuel Thomas Gill (1818-80). It shows a Cobb and Co coach travelling to Sydney, New South Wales, along a rough dirt road bounded by timber fences and open fields, with buildings (probably farmhouses) in the background. At least two horses ...
This is a watercolour, measuring 19.4 cm x 25.4 cm, by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows a well-dressed man - presumably the Gold Commissioner - arbitrating a dispute over a claim involving three diggers, probably on the Victorian gold fields. Two of the diggers are in animated discussion ...
This is a black-and-white wood engraving of a drawing dating from about 1870 by Samuel Calvert (1828-1913). Probably set near Adelaide, South Australia, it depicts a group of men and women in mid-Victorian dress, circled around a rough-hewn telegraph pole, in a bush setting. The pole is being levered, using ropes, into ...
This is a sepia-toned photograph, taken in April 1943, of young women at the South Australian Government Printing Office using large machines to staple ration books.
This is a black-and-white photograph of a partially constructed maize silo stack in an open field. It shows five workers - four on top of the stack and one on the ground. Several horses are being used in the construction of the stack, which is at least two storeys high. The silo has an open rectangular wooden frame that ...
This is the first of a pair of oval watercolours, measuring 20.2 cm x 26.4 cm, painted by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows two gold miners sitting dejectedly beside their mine, probably on the Victorian gold fields. Behind the men is a windlass, as well as their wheelbarrow, pick and spade. ...
This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Bedgi-bedgi (also known as Bidgee-bidgee), said to be of the Gwea-gal tribe. He has patterned scarification on his arms, chest and abdomen, ...
This is an image from a wood engraving, measuring 35.0 cm x 23.6 cm, showing an elaborate steam-driven sheep washing plant at 'Collaroy' station in the Upper Hunter region of New South Wales. It shows sheep moving through several stages of scouring, washing and rinsing. Large boilers and engines are housed in sheds on the ...
This is an Aboriginal neck ornament from central Australia, believed to have been made in the late 1800s. It comprises two pairs of eaglehawk claws, connected with resin to a string made of human hair. The ornament is 43 cm long and 4 cm wide.
This is a ceremonial headdress of the Wangkanguru (Wonkonguru) people, made at an Aboriginal settlement in the north-east of South Australia in about 1921. Its main features are three thick tassels made of rabbit-tail fur attached to string made of kangaroo fur and hair. It is 56 cm long and up to about 34 cm wide.
This posed black-and-white photograph shows indentured Pacific Islanders by their grass hut homes, probably on a Mackay sugar plantation in Queensland. Some are seated on logs or rough timber benches and one woman can also be seen. They are dressed in Western-style clothes. More huts can be seen on the cleared rise in the ...
This black-and-white photograph shows indentured Pacific Islander labourers manually gathering coffee beans from lines of bushes on a Kuranda coffee plantation on the Atherton Tableland in Queensland. This image shows male, female and child labourers standing among the shoulder-high coffee bushes. The Pacific Islanders ...
This sepia photograph shows around ten Pacific Islander labourers in a sugar-cane field at Bingera Plantation near Bundaberg in Queensland as the cane is being harvested. A well-dressed European man and two young children pose in the cleared foreground, while in the mid-ground stands a fully laden horsedrawn wagon with ...
This cartoon shows a US soldier romancing the wife of an Australian soldier. A shocked Australian Army private in uniform is depicted peering from behind a curtain at his attractive wife in the arms of a suave-looking US staff sergeant, who is also in uniform. The private holds a photograph album and the uniform hats of ...
Find out more about Walter James, federationist and premier of Western Australia. Examine two different types of biographies of James: one short and the other more detailed. Inspect examples of how he was visually depicted in his time. This learning object is one in a series of objects in the 'Biography: Federation people' series.
Find out why Sir Henry Parkes is called 'the Father of Federation'. Examine two different types of biographies of Parkes: one short and the other more detailed. Inspect examples of how he was visually depicted in his time. This learning object is one in a series of objects in the 'Biography: Federation people' series.
Find out more about Maybanke Anderson, feminist and federalist. Examine two different types of biographies of Anderson: one short and the other more detailed. Inspect examples of how she was visually depicted in her time. This learning object is one in a series of objects in the 'Biography: Federation people' series.
Find out more about John Cockburn, South Australian premier and federalist . Examine two different types of biographies of Cockburn: one short and the other more detailed. Inspect examples of how he was visually depicted in his time. This learning object is one in a series of objects in the 'Biography: Federation people' series.
Find out more about George Evans, poet, journalist and public servant. Examine two different types of biographies of Evans: one short and the other more detailed. Inspect examples of how he was visually depicted in his time. This learning object is one in a series of objects in the 'Biography: Federation people' series.