F-10 Curriculum (V8)
F-10 Curriculum (V9)
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This resource links to video coverage and key websites related to the apology to Indigenous Australians by the Prime Minister Kevin Rudd on 13 February 2008. Selected sites provide background information to the apology and personal stories about what happened to members of the Stolen Generations, with a focus on reconciliation.
This resource features the Landmarks gallery, which traces a broad history of Australia since British colonisation in the late 18th century. The exhibition explores ten big themes in the country's past through the stories of Australian places and the people who have lived there. It examines how people have engaged with ...
This is a watercolour measuring 15.7 cm x 24.3 cm showing the vast yellow-and-green Challicum plains. In the distance a flock of sheep, watched by a shepherd and dog, is moving into temporary wooden yards. Among gum trees, to the right of the yard, is the homestead. The artist, Duncan Cooper, included this painting as the ...
This is a watercolour, measuring 16.2 cm x 25.2 cm, by the famous colonial artist Samuel Thomas Gill (1818-80). It shows a Cobb and Co coach travelling to Sydney, New South Wales, along a rough dirt road bounded by timber fences and open fields, with buildings (probably farmhouses) in the background. At least two horses ...
This is a 23.4 cm x 38.8 cm sepia-toned photograph of the homemade biplane of one of Australia's first aviators, William Ewart Hart (1885-1943), after its 1911 landing on the Sydney Showground, New South Wales. A crowd has gathered around the aircraft, obscuring Hart from view.
This is a sepia-toned photograph, taken in April 1943, of young women at the South Australian Government Printing Office using large machines to staple ration books.
This is a black-and-white lithograph measuring 12.5 cm x 20 cm, depicting the city terminus of the Melbourne and Hobson's Bay Railway Company in Melbourne in 1854. An early type of steam locomotive is shown approaching a platform where passengers and freight are waiting. The drawing was made by Samuel Thomas Gill and his ...
This is a watercolour measuring 15.8 cm x 24 cm showing the vast, yellowing Challicum plains with grassfires burning smokily in the distance. A flock of sheep is being watched by a shepherd and dog. The artist, Duncan Cooper, included this painting as the sixteenth watercolour in his field sketchbook and inscribed the title ...
This is a watercolour, measuring 19.4 cm x 25.4 cm, by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows a well-dressed man - presumably the Gold Commissioner - arbitrating a dispute over a claim involving three diggers, probably on the Victorian gold fields. Two of the diggers are in animated discussion ...
This is a black-and-white photograph, measuring 18.8 cm x 24.0 cm, taken in 1902 during a tour of inspection by senators from the Federal Parliament of possible sites for the proposed federal capital. Having alighted from a horse-drawn stage coach, five members of the party en route to Tumut, New South Wales, are standing ...
This is a 36 cm x 55 cm hand-coloured lithograph of a pair of thylacines (‘Thylacinus cynocephalus’), commonly called Tasmanian tigers, against a background of small bushes and an open plain.
This is a watercolour measuring 17.2 cm x 26.2 cm showing the twin peaks of Mount Langi Ghiran rising behind the smaller tip of Conical Hill. Two distant mountains on the right are Ben Nevis and Mount Buangor. A camp of Indigenous Djapwurrong people, consisting of two bark and wood dwellings, is situated on the edge of ...
This is a black-and-white photograph of the exterior of an exhibition home made of fibrolite (fibro-cement) that was constructed by James Hardie and Co Ltd (now known as James Hardie Industries). The street outside the home is crowded with people, some of whom have come to view the fibrolite home. The photograph measures ...
This is an Aboriginal neck ornament from central Australia, believed to have been made in the late 1800s. It comprises two pairs of eaglehawk claws, connected with resin to a string made of human hair. The ornament is 43 cm long and 4 cm wide.
This is a watercolour measuring 15.7 cm x 24.4 cm, showing a mounted man herding a small group of cows past scattered native bush and trees, beneath the backdrop of the Mount Cole ranges. The artist, Duncan Cooper, included this painting as the fifteenth watercolour in his field sketchbook and inscribed the title 'Panorama ...
This is a black-and-white wood engraving of a drawing dating from about 1870 by Samuel Calvert (1828-1913). Probably set near Adelaide, South Australia, it depicts a group of men and women in mid-Victorian dress, circled around a rough-hewn telegraph pole, in a bush setting. The pole is being levered, using ropes, into ...
This clip from a silent black-and-white home movie shows Torres Strait Islander servicemen undertaking army training drills on Thursday Island (Weiban) during the Second World War. It opens with a long shot of barefoot uniformed men marching in formation, and passing behind a squad of stationary men. It then cuts to shots ...
This black-and-white photograph shows two women and two uniformed servicemen in a backyard featuring a homemade air-raid shelter during the Second World War. The two men, Private Dick of the AIF and US soldier Tom Squires, are standing in the shelter with Anthea Dyke while Doreen Smythe is jokingly pointing a hose at them. ...
This is a 1915 black-and-white photograph measuring 10.3 cm x 7.3 cm, of John Simpson Kirkpatrick (1892-1915) and his donkey, taken at Gallipoli. The man and the donkey are standing on the sand in front of a pile of packing cases containing supplies for the troops.
This is a sepia-toned photograph measuring 8.2 cm x 13.2 cm. It shows the ruins of the Model Prison at Port Arthur, Tasmania. A semicircular brick wall has three barred doors that open to exercise yards. A fourth door is open, showing another brick wall with steps leading up to the closed door of a solitary confinement ...