F-10 Curriculum (V8)
F-10 Curriculum (V9)
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This is the front page of a program printed in rust-red-and-black letters on a beige background, with the words 'OFFICIAL PROGRAMME COMMEMORATING THE VISIT OF THE AUSTRALIAN CRICKETERS TO AMERICA 1913'. The text is set within decoration in the Art Nouveau style.
This is an Aboriginal neck ornament from central Australia, believed to have been made in the late 1800s. It comprises two pairs of eaglehawk claws, connected with resin to a string made of human hair. The ornament is 43 cm long and 4 cm wide.
This is a ceremonial headdress of the Wangkanguru (Wonkonguru) people, made at an Aboriginal settlement in the north-east of South Australia in about 1921. Its main features are three thick tassels made of rabbit-tail fur attached to string made of kangaroo fur and hair. It is 56 cm long and up to about 34 cm wide.
This is a hand-coloured lithograph, measuring 15.8 cm x 19.5 cm, entitled 'A BENDIGO MILL'. It was made by Samuel Thomas Gill (1818-80) from a sketch he did on the spot as he watched a boxing match in Bendigo, Victoria, and it featured in his publication 'Sketches of the Victoria gold diggings and diggers as they are'. ...
This is a black-and-white close-up photograph (9.5 cm x 11.8 cm) showing the famous Australian pilot Nancy Bird (1915-) leaning against the open cockpit of her de Havilland biplane.
This is a 36 cm x 55 cm hand-coloured lithograph of a pair of thylacines (‘Thylacinus cynocephalus’), commonly called Tasmanian tigers, against a background of small bushes and an open plain.
This is a black-and-white composite photograph, taken by Frank Hurley on the morning after the first battle of Passchendaele during the First World War, showing Australian infantry survivors laying out and placing blankets over dead soldiers around a blockhouse near the site of Zonnebeke Railway Station in Belgium on 12 ...
This is a watercolour measuring 15.9 cm x 24.3 cm showing yellowed pasture backed by gum trees. A herd of cows with calves is grazing both in the foreground fields and the background timber. A small hill, part of the Challicum Hills, rises from the trees on the right. The artist, Duncan Cooper, included this painting as ...
This is a hand-coloured lithographic print showing Bethany, a village established by German immigrants, at the foot of the Barossa Hills in South Australia in the 1840s. The lithograph was listed as Plate 60 in the book 'South Australia illustrated', published in 1847. It measures 29.7 cm x 34 cm.
This is a sepia photograph, measuring 24.2 cm x 29.3 cm, of aeronautical inventor Lawrence Hargrave (left) and an unidentified man in Stanwell Park, on the coast between Sydney and Wollongong, New South Wales. They are assembling five box kites and joining them together, in preparation for using them to lift a man into ...
This is a 20.3 cm x 25.8 cm black-and-white photograph taken in 1914, of Charles Thomas Philippe Ulm (1898-1934), aged 16, with his parents, Emile Gustave and Ada Emma Ulm. Charles is wearing a First World War Australian Imperial Force (AIF) uniform.
This is a 52.5 cm x 69 cm, black-and-white photoengraving, of John and Alexander Forrest, James Sweeney, James Kennedy, Tommy Windich and Tommy Pierre with their horses after crossing the Great Victoria Desert in 1874. On the far right is the Overland Telegraph Line, about 120 kilometres north of Coober Pedy in South Australia. ...
These are four hunting baskets from Arnhem Land in the Northern Territory. All are made from sedge grass. The top bag on the left and the two at the bottom were made in the late 1980s, while the bag on the top right-hand side was collected in 1936. The oldest bag is 113.5 cm high, 51 cm wide and 28 cm in diameter. The other ...
This image shows five small, sharp cutting blades known as 'Kimberley points' that were made of different coloured glass and ceramic materials by Indigenous Australian craftspeople in the Kimberley region of Western Australia. They are an average of 8 cm long and 2.5 cm wide. The points at top right and bottom left show ...
This is a portrait of an Indigenous Australian man from the Port Jackson (Sydney) area of New South Wales, created in about 1790 by an unknown artist. He is depicted from the waist up, with white paint on his face, arms and chest. The text 'When angry and (as I suppose) intends to fight at a future period' is written below ...
This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Bedgi-bedgi (also known as Bidgee-bidgee), said to be of the Gwea-gal tribe. He has patterned scarification on his arms, chest and abdomen, ...
This is an image from a wood engraving, measuring 35.0 cm x 23.6 cm, showing an elaborate steam-driven sheep washing plant at 'Collaroy' station in the Upper Hunter region of New South Wales. It shows sheep moving through several stages of scouring, washing and rinsing. Large boilers and engines are housed in sheds on the ...
This is a black-and-white print that shows the eight-hour day demonstration entering the Zoological Gardens (now the Royal Melbourne Zoo) in Melbourne, Victoria. The large procession of people, some carrying banners and flags, can be seen in the background, while in the foreground, several spectators including a few policemen ...
This is a black-and-white print that shows a group of Chinese carpenters in a workshop at Emerald Hill (South Melbourne) around 1867. A European man, who may be an artist, observes two of the carpenters at work. The carpenters appear to be making celestial carvings, which were spiritual objects for the Chinese, but which ...
This is a black-and-white print that depicts a group of men taking refuge at the Immigrants' Home in Melbourne. The men, most of whom are seated on wooden benches, are shown in a large common room. They are occupied by an activity that may be the picking of oakum. Sacks either hang from or have been placed on high shelves. ...