F-10 Curriculum (V8)
F-10 Curriculum (V9)
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Imagine the internal conflict for an African American policeman in 1968 New York. Against a background of race riots stimulated by racial inequality, African American policeman Chief-Inspector Frederick Waithe must convince African Americans to act within the law. At the same time he sympathises with their grievances.
Explore the idea of pride in your forebears as famous entertainer and civil rights activist Paul Robeson reflects on being both African American and a citizen of the USA. In this 1960 'Spotlight' panel discussion, Robeson points out the difficulty and importance of gaining equality in a society that is based on conquest ...
Why is Charles Perkins remembered as a significant leader in the struggle for the rights of Aboriginal and Torres Strait Islander peoples? In this clip, he looks back on two campaigns that brought him to public attention in the 1960s and were part of a wider struggle to end racial discrimination in Australia. This clip ...
Imagine what you could achieve if you joined together with people who thought the same way as you did about an important issue? In a panel interview in 1960, US entertainer and rights activist Paul Robeson points out the potential political power African Americans could wield if they voted as a bloc, or single group.
Find out about the frustration and anger of African Americans and their experiences of racism in the 1960s. Discover what disadvantaged African Americans living in Harlem in 1968 had in common with African Americans living in the wealthy, advantaged suburbs.
Examine the daily struggle faced by African Americans living in poverty in Harlem in the 1960s. Single mother Kitty Fernelle provides for herself and her three children with the help of welfare (social services payments) and the support of her local church. At the same time, activist African Americans are calling for black ...
Discover what the USA was trying to come to terms with in 1968 after the assassination of Martin Luther King. Destruction and killing in more than 100 cities is what followed the event. This Weekend Magazine special report features African American civil rights activist Floyd McKissick commenting on the riots and calling ...
This is an online exhibition showing the objects, artefacts and images that make up some of the treasures of US history. The treasures shown in this exhibition document eight of the challenging situations and issues that have helped to shape the USA. Topics include: revolution and the new nation; slavery; western expansion; ...
This is a black-and-white photograph showing an African American being arrested by two policemen in Detroit, Michigan. One mounted policeman looks on and another stands guard. The photograph was taken in February 1942, almost certainly on 28 February, by Arthur Siegel. Part of the photograph's caption reads: 'Riot at the ...
This is a black-and-white photograph of Artelia Bendolph, a member of an African American tenant farming family at Gee's Bend in Alabama, USA. The photograph was taken by Arthur Rothstein. Bendolph is portrayed looking out through an unglazed window. The open window shutter lined with sheets of newspaper is to the left ...
Imagine that, like many African Americans growing up before the sweeping changes in America in the 1960s, you cannot eat alongside white people, go to white schools, or even ride in the same part of a public bus, even though slavery was abolished more than a century before. This 1968 clip explores the experience of Mae ...
Imagine a country arming its police force with tanks, heavy weapons and chemicals to combat its own people. This extract shows the escalation of violence and the results of racism in the USA in 1968. Army, police and fire units are shown practising new riot control activities in preparation for expected violent demonstrations ...
What happens when the members of a society feel like they have no hope? This is the situation faced by members of Harlem's African American community in 1968, who find themselves in a cycle of poverty. Civil rights activists like Al Cook offer a solution to the problem: fight back.
How does it feel to be paid less than another person doing the same job, because of the colour of your skin? During the 1960s, this was the plight of many professional African Americans who were not paid equally for doing the same work as their white counterparts. Listen to David Dinkins, a New York lawyer, share his experiences.
What is the cycle of poverty and squalor? Walk with ABC TV's 'Four Corners' program film crew on the streets of Harlem in 1968 as they are taken on a tour of the predominantly African American neighbourhood. Understand the level of poverty and urban squalor that faced African Americans living in Harlem at this time.
What would you do if you found out that you were being sold inferior groceries, at higher prices, just because of the colour of your skin? Harlem resident Cora Walker explains that this was the situation faced by members of Harlem's African American community in the late 1960s. See how the residents joined together to address ...
This is a website about Indigenous experiences of invasion and war during the British invasion, World War I and World War II. The resource is presented in three sections: Introductory information; Story Objects; and Story Education Resources. There are eight story objects that tell the stories of individuals, events and ...
This is a famous black-and-white anti-discrimination photograph, also widely known as 'American Gothic, Washington, DC'. It shows Mrs Ella Watson, an African American cleaner at the Treasury in Washington, USA. She is standing stiffly in front of the US flag, with a broom on one side and a mop on the other. The photograph ...
This a black-and white engraving showing emaciated Africans on the slave decks of the ship Wildfire. Women are seen in the background on an upper deck, and in the foreground men and boys are crowded together. The engraving was published in Harper's Weekly on 2 June 1860. It was entitled 'The Africans of the slave bark "Wildfire." ...
This is a black-and-white photograph showing African Americans at a roadside dance hall outside Clarksdale in Mississippi, USA, one Saturday evening in November 1939. Couples are jitterbugging to music from a jukebox while other people, mostly men, are standing around. The photograph was taken by Marion Post Wolcott.