F-10 Curriculum (V8)
F-10 Curriculum (V9)
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This is a photograph, an albumen print measuring 13.6 cm x 20.1 cm, taken in the 1890s and showing three camels sitting outside commercial premises in Bayley Street, Coolgardie, Western Australia. The camels are not tethered or harnessed in any way. With the exception of a woman who appears to be patting a camel, all the ...
This is a watercolour, measuring 44 cm x 64 cm, by the famous colonial artist Samuel Thomas Gill (1818-80). It shows two drovers camped next to a fallen tree, with their horses tethered and at rest behind them. One of the drovers and a dog remain vigilant, looking towards cattle that are spread out on a wide plain below, ...
This is the first of a pair of oval watercolours, measuring 20.2 cm x 26.4 cm, painted by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows two gold miners sitting dejectedly beside their mine, probably on the Victorian gold fields. Behind the men is a windlass, as well as their wheelbarrow, pick and spade. ...
This is a sepia-toned photograph, taken in April 1943, of young women at the South Australian Government Printing Office using large machines to staple ration books.
This is an image from a wood engraving, measuring 35.0 cm x 23.6 cm, showing an elaborate steam-driven sheep washing plant at 'Collaroy' station in the Upper Hunter region of New South Wales. It shows sheep moving through several stages of scouring, washing and rinsing. Large boilers and engines are housed in sheds on the ...
This black-and-white photograph shows two lines of Chinese men, about 19 in all, squatting on the bare ground and eating a meal outside Croydon Court House in northern Queensland. The men are wearing Western-style long-sleeved shirts and trousers, and their queues (plaits) are wound around their heads. Plates and mugs are ...
This is a drawing of the two-masted brigantine 'Para', probably completed by Master Mariner William Wawn during a successful five months voyage to the Solomon Islands in 1894. One of a series of sketches of his impressions of the islands in pencil, ink and watercolour, it shows the recruiting ship offshore at anchor, as ...
This black-and-white photograph shows indentured Pacific Islanders methodically hoeing weeds from a large sugar-cane field at Herbert River in north-eastern Queensland. They wear Western-style clothes and hats. A white man, only just visible on the left and facing the Islanders, stands in front of the line of labourers, ...
This is a black-and-white photograph showing nine Pacific Islander men using picks and axes to clear undergrowth and small trees from a clearing in a thickly vegetated area at Farnborough in central Queensland. The men are bare-chested, hatless and barefoot, with some wearing sarong-like garments. A white man stands in ...
This sepia photograph shows eight indentured Pacific Islander female labourers preparing to hoe weeds in rows of cane at Hambledon Mill, near Cairns in Queensland. The women and girls, some barefoot, stand at the edge of the cane, which is above head height. The foreground is bare soil and a thickly wooded hill rises in ...
The black-and-white photograph shows Pacific Islander men and women arriving in the sugar port of Bundaberg after being recruited to work as indentured labourers on Queensland's sugar plantations. The posed shot shows more than 60 Pacific Islander men, women and boys and one European on the deck of a schooner at the dock. ...
This is a black-and-white photograph measuring 15.5 cm x 10.9 cm, of a street demonstration against conscription, taken during the First World War. It shows a long line of marchers, including two men carrying a banner inscribed 'IF BLOOD BE THE PRICE OF YOUR CURSED WEALTH, GOOD GOD WE HAVE BOUGHT IT FAIR'. The line of marchers ...
This is a 1915 black-and-white photograph measuring 10.3 cm x 7.3 cm, of John Simpson Kirkpatrick (1892-1915) and his donkey, taken at Gallipoli. The man and the donkey are standing on the sand in front of a pile of packing cases containing supplies for the troops.
This is a watercolour measuring 15.9 cm x 24.3 cm showing yellowed pasture backed by gum trees. A herd of cows with calves is grazing both in the foreground fields and the background timber. A small hill, part of the Challicum Hills, rises from the trees on the right. The artist, Duncan Cooper, included this painting as ...
This is a watercolour by Arthur Esam (1850-1938), created in 1878 and measuring a modest 32.5 cm x 26.7 cm. It shows a coolibah tree with two sections of bark missing - the famous 'Dig' tree of the Burke and Wills Expedition of 1861. A man (perhaps Esam himself) is standing holding the reins of a horse, and appears to be ...
This is a hand-coloured lithographic print showing Bethany, a village established by German immigrants, at the foot of the Barossa Hills in South Australia in the 1840s. The lithograph was listed as Plate 60 in the book 'South Australia illustrated', published in 1847. It measures 29.7 cm x 34 cm.
This is a hand-coloured lithographic print prepared by John Allen in 1852 from a drawing by George French Angas. The lithograph, with text, measures 26 cm x 35.5 cm and shows Forest Creek at the Mount Alexander gold diggings in central Victoria.
This is a black-and-white photograph that shows a huge polling board with the results of the Federation referendum in Western Australia, which was held on 31 July 1900. The board shows that Western Australia voted to join the Commonwealth of Australia by 44,652 votes to 19,636. It also shows the results for each of the ...
This is a gelatin silver-toned composite photograph measuring 32 cm x 25.5 cm, created by E.W. Searle. The Avro-10 Southern Sun plane piloted by Charles Ulm celebrated the arrival in Sydney of aviatrix Amy Johnson, the first woman to fly solo from England to Australia. Amy Johnson had crash landed in Brisbane and was flown ...
This is the front page of a program printed in rust-red-and-black letters on a beige background, with the words 'OFFICIAL PROGRAMME COMMEMORATING THE VISIT OF THE AUSTRALIAN CRICKETERS TO AMERICA 1913'. The text is set within decoration in the Art Nouveau style.