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Creating a yarning circle: yarning and wellbeing

This learning activity will help you make connections between yarning and wellbeing programs, and how you can use yarning circles to support respectful, honest and open communication to promote connectedness among students, particularly using the morning circle routine. It is part of a sequence of 8 individual learning ...

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Creating a yarning circle: connecting to Landcare

This activity is designed to help you make connections with your local Landcare or environmental group and facilitate a partnership with these organisations. It is part of a sequence of 8 individual learning activities designed to support the use of yarning circles. OUTCOMES of this learning activity are for children to: make ...

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Creating a yarning circle: using your yarning circle

This activity provides a plan for how to use a yarning circle by introducing a yarning stick/talking stick. It is part of a sequence of 8 individual learning activities designed to support the meaningful use of yarning circles in learning environments. The outcomes of this learning activity are for children to: understand ...

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Creating an Indigenous plant-use garden: harvesting

The satisfaction of eating straight from the garden is one of life’s best learning experiences, however we need to be respectful and mindful to only harvest what we need to allow the plant to continue to thrive for generations to come. This activity involves the assessment and mapping of local environments to create a successful ...

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Creating a yarning circle: yarning circle activities

Yarning circles provide opportunities for all to be heard, for discussions to be had and for understandings to be reached. This learning activity provides activity ideas for use in a yarning circle and will support students to develop a calendar for the yarning circle; be empowered to utilise the space regularly and meaningfully; ...

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Local seasons: exploring First Nations weather knowledge

First Nations peoples across Australia have a detailed understanding of their environment, passing it down from generation to generation. They observe their environment closely, and use this knowledge to understand the changes in plants, animals and climate. Changes in the environment indicates what to eat, when to eat ...

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Creating a yarning circle: background

This activity introduces children to the idea of a yarning circle and its importance in First Nations Culture. It is part of a sequence of 8 individual learning activities designed to support the meaningful use of yarning circles in learning environments. OUTCOMES of this learning activity are for children to: understand ...

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Banjo Morton: the untold story

In 1949, after many years of being paid only in rations, Banjo Morton and seven other Alyawarra men decided they wanted proper wages for their work as stockmen and station hands at the Lake Nash cattle station in the Northern Territory. They walked off in protest. This rich media site records the history of that protest ...

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Indigenous science: Australia had ancient trade routes too

This is an article about the ancient overland trade routes of Aboriginal Australia. Written by Kudjala/Kalkadoon Elder from Queensland Letitia Murgha and intended mainly for teachers, it compares Aboriginal trading routes based on Dreaming pathways and songlines throughout Australia to the Silk Road and the spice trade ...

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'Poultry house, Challicum', 1851

This is a watercolour by Duncan Cooper that depicts the poultry house at Challicum, a sheep run west of Ballarat in western Victoria. Two of the Djapwurrong people (the Indigenous inhabitants of this region) are shown sitting by a smoking fire next to a temporary bark shelter. Various chickens are also shown pecking in ...

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Indigenous Australians at the Hunter River, c1817

This is a 17.7 cm x 27.8 cm watercolour of 12 people from the Awabakal language group with their dogs beside the Hunter River in New South Wales. It is a cloudy night but the moon has broken through and is reflected on the water. The people are gathered around campfires, possibly in two separate family groups, each with ...

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Indigenous Australian men with weapons, c1817

This is a 17.7 cm x 27.8 cm watercolour of ten men carrying spears, spear throwers and shields as they walk along a dirt path. Some have clubs tucked into loincloths. Another group of five men can be seen further down the grassed hill.

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Indigenous Australians hunting kangaroos, c1817

This is a 17.7 cm x 27.7 cm watercolour of a hunter poised to throw a spear at one of a number of kangaroos; he is lying on his front behind a fallen tree, his head and chest raised and his right arm stretching back ready to throw the spear from a spear thrower. Four other hunters wait behind trees in the distance with ...

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Indigenous Australians hunting black swans, c1817

This is a 17.5 cm x 27.7 cm watercolour of Indigenous Australian people hunting black swans among reeds near the water's edge of a large river. One man is holding a bird that is trying to escape and three people are spearing birds. At least four other people are almost fully obscured by the reeds. The river is surrounded ...

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Indigenous Australians feasting on a beached whale, c1817

This is a watercolour, measuring 17.7 cm x 27.9 cm, created by Joseph Lycett in about 1817. It depicts Indigenous Australian people on the New South Wales coast near the mouth of the Hunter River at Nobby's Head. There is a sailing ship on the horizon and nine people are on the beach, some looking on while two kneel beside ...

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Portrait of an Indigenous Australian man, c1790

This is a portrait of an Indigenous Australian man from the Port Jackson (Sydney) area of New South Wales, created in about 1790 by an unknown artist. The man is shown from the waist up, standing with his back to the viewer and his head turned to the right-hand side. The man's facial features are exaggerated and his back ...

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Indigenous Australian man, Bedgi-bedgi (Bidgee-bidgee), 1802

This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Bedgi-bedgi (also known as Bidgee-bidgee), said to be of the Gwea-gal tribe. He has patterned scarification on his arms, chest and abdomen, ...

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Simon, Indigenous Australian from Victoria, c1858

This is a hand-coloured photographic print of an Indigenous Australian from Victoria, taken in about 1858. Measuring 24 cm x 19 cm, it is entitled 'SIMON. An Australian Aborigine of the Yarra Yarra tribe which opposed the landing of Batman 1835'. The man is pictured with a spear in one hand and a wooden club in the other. ...

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Indigenous Australians gathering seafood, c1817

This is a 17.7 cm x 28 cm watercolour of Indigenous Australian people and their canoes on the New South Wales north coast. In the foreground three people are spearing fish, while one sits on the rocks watching an underwater swimmer and a person diving off the rocks. Another person walks from the water carrying two crayfish, ...

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Indigenous Tasmanian woman, Arra-Maida, 1802

This is a black-and-white print of a drawing made by the French artist Nicolas-Martin Petit on Bruny Island, off south-east Van Diemen's Land (Tasmania), on 31 January 1802. It is a portrait of a young woman, Arra-Maida. She has short, woolly hair and is wearing an animal-skin garment that hangs over one shoulder, but ...