F-10 Curriculum (V8)
F-10 Curriculum (V9)
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This is the front page of a program printed in rust-red-and-black letters on a beige background, with the words 'OFFICIAL PROGRAMME COMMEMORATING THE VISIT OF THE AUSTRALIAN CRICKETERS TO AMERICA 1913'. The text is set within decoration in the Art Nouveau style.
This is a colour lithographic card showing a shackled slave being taken away by his new owner as his wife and child beg to be bought as well so the family would not be separated. The owner gestures them away with his whip. The card was the fourth in a collectable series of 12 album cards entitled 'The slave in 1863. A thrilling ...
This is a black-and-white print showing four African Americans attacked in an ambush by six armed white men. One of the white men is firing as two others reload their guns, and two of the African Americans have been hit. The print is a denunciation of the Fugitive Slave Act of 1850, its effect reinforced by two quotations ...
This is the two-storey Thornhill plantation house in Greene County, Alabama, showing the southern facade with its two-story portico of six Ionic columns across the front, and the eastern-side elevation. The photograph was taken by Carol Highsmith.
This is a black-and-white illustration of a kneeling male slave in chains. It appeared on a broadside (a poster, often with a poem or news and sometimes with woodcut illustrations) published in New York. The broadside also featured John Greenleaf Whittier's anti-slavery poem, 'Our countrymen in chains' and two quotations, ...
This is a black-and-white photograph showing the mushroom cloud rising from the explosion of an atomic bomb with an estimated force of 20,000 tonnes of TNT, 560 m above Nagasaki, Japan, on 9 August 1945. Part of the wing of the camera plane that accompanied the bomb-carrying plane can be seen at bottom right. The image ...
This is a black-and-white print showing two contrasting scenes of 'slavery' produced by J Haven of Boston, USA. The top scene shows African American slaves in the US southern states dancing and playing the banjo after their day's work is over. The bottom scene shows four episodes of people lamenting the 'slavery' of work ...
This is a black-and-white sketch showing a slave cabin with a small girl standing in front. The handwritten caption reads 'Slave Cabin near the Long Bridge, Chicahominy River, Va [Virginia], June 13th 1864'. The artist was Edwin Forbes and elsewhere on the drawing he noted, 'Sketched while on the march from Long Bridge ...
This is a hand-coloured cartoon print showing an African girl being hoisted by the ankle for a flogging on board the British slaving vessel Recovery. The vessel's captain John Kimber is seen on the left, whip in hand. The cartoon was drawn by Isaac Cruikshank and published by S W Fores in London on 10 April 1792. The alternative ...
This is a black-and-white print celebrating the Proclamation of Emancipation by US President Abraham Lincoln in 1863. The text includes the all-important words 'all persons held as slaves within any States, or designated part of the State, the people whereof shall be in rebellion against the United States, shall be then, ...
This resource features the Landmarks gallery, which traces a broad history of Australia since British colonisation in the late 18th century. The exhibition explores ten big themes in the country's past through the stories of Australian places and the people who have lived there. It examines how people have engaged with ...
This is a collection of primary and secondary sources about Jessie Street, a prominent 20th-century human rights campaigner known as ‘Red Jessie’. The collection is introduced by the black-and-white passport photograph seen here that links to a richly documented biography on a showcase called 'Uncommon lives'. The showcase ...
This is a black-and-white photograph showing an African American female teacher with two students in a school in Creek County in the US state of Oklahoma. The photograph was taken by Russell Lee in February 1940. Part of the caption he wrote for the image reads, 'This year, despite the fact the white school received free ...
This is a black-and-white photograph showing an African American being arrested by two policemen in Detroit, Michigan. One mounted policeman looks on and another stands guard. The photograph was taken in February 1942, almost certainly on 28 February, by Arthur Siegel. Part of the photograph's caption reads: 'Riot at the ...
This is a woollen convict jacket from Tasmania. The inside of the jacket is stamped with the mark 'WD', indicating that it was issued by the War Department, and it has an arrow mark, signifying British Government property. These marks date the jacket to after 1855.
This is a 1915 black-and-white photograph measuring 10.3 cm x 7.3 cm, of John Simpson Kirkpatrick (1892-1915) and his donkey, taken at Gallipoli. The man and the donkey are standing on the sand in front of a pile of packing cases containing supplies for the troops.
This is a black-and-white photograph that shows a huge polling board with the results of the Federation referendum in Western Australia, which was held on 31 July 1900. The board shows that Western Australia voted to join the Commonwealth of Australia by 44,652 votes to 19,636. It also shows the results for each of the ...
This is a sepia-toned photograph measuring 8.2 cm x 13.2 cm. It shows the ruins of the Model Prison at Port Arthur, Tasmania. A semicircular brick wall has three barred doors that open to exercise yards. A fourth door is open, showing another brick wall with steps leading up to the closed door of a solitary confinement ...
This is a watercolour measuring 16.6 cm x 25.7 cm showing a mounted man, possibly the squatter Harry Thomson. Two dogs run behind him as he rides along a meandering trail left by wagon wheels. Forests stretch away behind and native gums dot the Challicum Hills which rise out of the forest treetops. The artist, Duncan Cooper, ...
This is a 37.2 cm x 52.5 cm sepia-toned photograph of Station Pier at Sandridge (now Port Melbourne), Victoria. About 60 people stand in the foreground looking up at what must be the photographer, Charles Nettleton, exposing his photographic plate. Various ships, some of which are steam powered, can be seen lining both ...